"La Diablesse Country: Darknight Community of Trinidad and Tobago" is a captivating folklore book written by Regan D. Gayadeen. The book delves into the mysterious and chilling legends of the Darknight community in Trinidad and Tobago, particularly focusing on the infamous figure of La Diablesse. Readers will be taken on a journey through the eerie and supernatural tales that have been passed down through generations in this haunting region. Gayadeen expertly weaves together history, culture, and folklore to create a spine-tingling and immersive reading experience for those interested in the dark and mystical side of Trinidad and Tobago's folklore.

LA DIABLESSE COUNTRY.: Dark Night Community Of Trinidad & Tobago

​The vibrant sounds of the Caribbean have long captivated the world, but few genres can match the infectious energy and rhythmic allure of Soca and Calypso music. Born from the rich cultural tapestry of the islands, these musical genres have evolved over the years, weaving a tale of history, celebration, and social commentary. In this chapter, we delve into the roots of Soca and Calypso, tracing their origins and exploring their early development.
To understand the evolution of Soca and Calypso, we must first immerse ourselves in the Caribbean's diverse heritage. The islands of Trinidad and Tobago stand as the cradle of these musical genres, with their roots deeply embedded in the history of African and East Indian indentured laborers brought to the region during the colonial era.
Calypso, the elder sibling of the two, emerged in the late 19th century as a form of oral storytelling and expression for the African slaves who had been forcefully transported to the Caribbean. Their songs, known as "kaiso" in West African Yoruba language, served as a means of communication, preserving their traditions, and subtly voicing their grievances under the guise of entertainment.
Initially, Calypso was performed in a call-and-response style, where a leader, known as the "chantwell," would sing verses while the audience would respond with a chorus. These songs often featured witty lyrics, social commentary, and double entendre, allowing the enslaved population to voice their frustrations and satirize their oppressors without direct confrontation.
Through Calypso, the African slaves found solace and empowerment, using music as a means to maintain their cultural identity and resist the dehumanizing effects of slavery. The songs were passed down through generations, evolving with each retelling and adapting to the changing socio-political landscape.
As Trinidad and Tobago transitioned from colonial rule to independence in the mid-20th century, Calypso took on a new role as a tool for political expression and cultural identity. Calypsonians, the artists who performed Calypso, became revered figures within their communities, using their music to reflect the struggles and aspirations of the people. Artists like Lord Kitchener, The Mighty Sparrow, and Lord Invader gained fame for their lyrical prowess and ability to capture the spirit of the times.
Calypso's popularity extended beyond the shores of Trinidad and Tobago, reaching international audiences through recordings and performances. It became a symbol of Caribbean identity and resilience, captivating listeners with its lively melodies and thought-provoking lyrics. Calypso's influence even found its way into mainstream popular music, with artists such as Harry Belafonte popularizing the genre in the United States and Europe.
In the 1970s, a new wave of musical innovation emerged in Trinidad and Tobago, giving birth to a genre that would forever change the musical landscape: Soca. Soca, an abbreviation of "soul calypso," blended the infectious rhythms of calypso with elements of soul, funk, and disco. It was a reflection of the changing times, incorporating influences from the African diaspora and global music trends.
The father of Soca, Garfield Blackman, better known as Lord Shorty, played a pivotal role in its development. Born in Trinidad and Tobago, Lord Shorty was a visionary artist who sought to break new ground in the realm of Caribbean music. With his seminal 1973 hit, "Indrani," Lord Shorty introduced a new sound that not only resonated with the people of his homeland but would later captivate the entire Caribbean region and beyond.
Drawing inspiration from his diverse cultural heritage and musical influences, Lord Shorty embarked on a musical journey that would forever change the landscape of Caribbean music. Fusing elements of calypso, East Indian rhythms, and Afro-Caribbean beats, he created a vibrant and infectious musical style that came to be known as Soca. This groundbreaking fusion represented a departure from the more traditional calypso music of the time, infusing it with a fresh and invigorating energy.
The distinctive sound of Soca, characterized by its energetic and pulsating rhythms, catchy melodies, and uplifting lyrics, quickly caught on among music lovers. Lord Shorty's ingenious approach not only appealed to the younger generation but also bridged the gap between different cultural communities in the Caribbean. His music became a unifying force, bringing people of diverse backgrounds together and fostering a sense of shared cultural identity.
One of the key factors that contributed to Soca's widespread popularity was its association with the annual Carnival celebrations. Lord Shorty's infectious tunes became the soundtrack to these vibrant festivities, infusing the revelry with an irresistible energy. Soca music's infectious beats and joyful lyrics proved to be the perfect accompaniment to the colorful costumes, lively parades, and exuberant dancing that define Carnival.
Lord Shorty's musical contributions extended far beyond his own success as an artist. His innovative sound laid the foundation for future generations of Soca musicians and served as a catalyst for the genre's evolution. Artists such as Machel Montano, Bunji Garlin, and Destra Garcia, among many others, have built upon his legacy, pushing the boundaries of Soca and ensuring its continued relevance in the ever-changing music industry.
Today, Soca remains an integral part of Caribbean culture, transcending borders and captivating audiences around the world. Its infectious rhythms and uplifting spirit continue to inspire and unite people, creating a sense of joy and celebration wherever it is heard. The legacy of Lord Shorty, the father of Soca, lives on through the vibrant and dynamic genre he brought to life, forever leaving an indelible mark on the musical landscape of the Caribbean and beyond. 

​Regan Gayadeen. CEO Of TriniSpiceFM

In 1960, The Mighty Sparrow returned to the Calypso King competition, winning his second crown and third Road March title with “Ten to One Is Murder” (an autobiographical song about an incident in which Sparrow allegedly shot a man), and “Mae Mae”.  ~ Dominic Kalipersad.

The updated version of the TriniSpiceFM App is ' LIVE ' now, and is available to download now on both the IOS APP STORE & THE GOOGLE PLAY STORE.
We now bring Everything on one app. messaging, song requests, and socials. 
We have added the upcoming schedule so you can see what upcoming shows are available. Podcasts are now available as well, all in one place. No more having to go to third party apps to locate them. They are all still available there, if you prefer. Hope you enjoy and drop us a line in the comments with your suggestions and support. 
                                                                                           - Regan from TriniSpiceFM

locate your version here:
​direct.me/djprs-one?via=gr#

In 1983, Masman Peter Minshall presented his band “River”. With its theme of ecology, “River” symbolised the flow of nature and its struggle with technological advances.Minshall said it was his most philosophical work. The king of the band won the Carnival King title. 
- Dominic Kalipersad.
-Video extracts from “The Minshall Trilogy” by Dalton Narine: https://youtu.be/CV2W8lItt0I
NB. This post is for my personal archive and is not intended for commercial interests or financial gain. No copyright infringement is intended.

The first group of Jews in Trinidad arrived in 1783 with the Cedula of Population, when Trinidad —an underpopulated Spanish colony— opened its borders to Europeans.
The second group came in when African enslavement was abolished in 1838.
The third wave of Jewish immigration occurred during and after World War II when European Jews were fleeing the the Nazis. Many of them held German and Austrian passports.
During WWII many of the Jewish families were interned in camps, considered as new “enemy aliens.” In 1943, the Jews were freed but with certain wartime restrictions.
About 600 Jewish refugees from Nazi Europe ended up in Trinidad as they sought sanctuary from persecution and violence. Several thousand Jewish refugees came by boat to Caribbean islands, including Barbados and Jamaica, in the run-up to and during the second world war.
British colonies in the Caribbean, such as Trinidad, had no visa requirements, merely charging a landing deposit. The Jews, many of whom had professional qualifications, arrived penniless but willing to adapt to a new life, helped by modest grants from refugee agencies to start new businesses.
At the turn of the 20th century, however, there were just 31 Jews in Trinidad, most of English origin.
Holocaust Memorial Day takes place on January 27 to mark the 1945 liberation of the Auschwitz-Birkenau camp, the largest of the Nazi death camps. It commemorates the victims of the Holocaust, which resulted in the murder of one third of the Jewish people, along with countless members of other minorities between 1933 and 1945 by Nazi Germany.
​
- Dominic Kalipersad.

Epidemiologist Dr Avery Hinds provided data showing that the number of Covid infections is increasing, and the speed  infections is increasing.
He said that the infections would be driven further by planned gatherings (presumably Carnival).
“…we are seeing an uptick in the speed in which the weekly totals are increasing. So, that’s something we’re bearing in mind. And we know that it is, to some extent, driven by all the gathering and mingling that we would have done. And we note that it would be driven further by the gathering and mingling that we plan to do.
“We do need to, at this point, put out some cautionary advice in terms of bearing in mind the potential for spread for this virus..”
12.01.23